With her latest long player, Mourning Doves of Joshua Tree, Canadian American singer-songwriter Tara Beier takes listeners on an emotional journey through the grief of loss, renewal, and the mystical energy of mourning doves.
Beier says, “In some belief systems, these birds are angels and departed souls reminding us we’re never alone.”
As the mother of twin boys via IVF, Beier’s sound reflects the innate power of motherhood, expressing the femininity and strength of balancing family and music rather than sacrificing one for the other.
In addition, Tara recently launched Lovendar, a lavender-based fragrance line supporting holistic well-being and healing similar to the restorative auras found in Mourning Doves of Joshua Tree.
Encompassing nine tracks, the album begins with “Desert Soul,” a personal favorite because of its sorceress-like flow. For some reason, the song conjures up memories of America’s “A Horse with No Name,” simultaneously alluring and mysterious.
Entry points include “Lost Brother,” a folk-rock tune with hints of indie-rock running through it. There’s a delicious, swaying motion to the melody, topped by Beier’s almost witchy vocals, at once sumptuous and silkily nuanced.
The country-pop-flavored “Rainbow” recalls the sensation and mood of Sheryl Crow crossed with Ricky Nelson, resulting in a low-slung, throbbing rhythm and creamy, shimmering harmonic textures.
The luscious, rhythmic pulse of “I Close the Door” summons suggestions of Bob Dylan with its dark, melting surfaces. Beier’s enigmatic vocals imbue the lyrics with haunting timbres.
Another favorite because of its bewitching movement, “Rocketdyne” allows Beier to display another aspect of her enchanting voice. Although delicate and wonderfully translucent, her voice offers spellbinding tonal hues.
The closing track, “Wild Rejoice” conveys a shadowy, luxurious essence of Chris Isaak, an irresistible invitation to embrace a life of breathtaking intensity.
Supple and elegant yet with a wickedly appealing edge, Mourning Doves of Joshua Tree is surely one of the best albums of the year.
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