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MYRA HOLDER’S Four Mile Road The Classic 1989 Coyote Album, Out of Print For Decades, Now Remastered

MYRA HOLDER'S Four Mile Road The Classic 1989 Coyote Album, Out of Print For Decades, Now Remastered Produced by Chris Stamey Featuring Contributions From Mitch Easter & Faye Hunter (Let's Active), Gene Holder (The dB's) Dave Schramm, Sue Garner, George Cartwright

The real Four Mile Road existed in rural North Carolina near Myra Holder‘s birthplace. A lonely blacktop in the woods, “It seemed like a place of great romantic mystery and possibility. . . . I always wondered what went on down that road,” says Holder, in the press release that accompanied this long-out-of-print album, a proto-Americana classic, now remastered to spectacular effect for digital release on Coyote Records September 17.

Four Mile Road was produced by Chris Stamey, who also supervised this reissue. The band includes Dave Schramm (The SchrammsYo La Tengo) on guitar, Peter Moser (The BottlecapsTall Lonesome Pines) on drums, Tom Quinn on mandolin, Dennis Ambrose and Sue Garner on bass. Mitch Easter & Faye Hunter (Let’s Active), Stamey & Gene Holder (The dB’s), and George Cartwright (Curlew) guest as well.

Featured tracks include “Rosa”; “Pretty Blue”; and Never Never,” which concludes with Dave Schramm’s expansive soloing. Retro classic “Jellybean” finds Let’s Active’s Faye Hunter (bass) and Mitch Easter (drums) rocking out with Gene Holder (guitar). One of Myra’s earliest musical memories is of falling in love with the songs of Roy Orbison, to whom she pays homage with a cover of “It’s Over.” Indeed, Myra’s music shares an emotional link with Orbison in the haunting songs of loss and loneliness . . . dark but hopeful and stirring in spirit. Also covered is Alex Chilton‘s “Blue Moon,” a grown-up lullaby that Myra was born to sing where she is joined by Hunter on flute.

From the initial Coyote Records bio, in 1989:

“New York City is home to many people whose hearts belong somewhere else. Myra Holder is one of those people. . . . Four Mile Road is a postcard home to the people, towns, and backwoods of North Carolina that inspire her music. . . . Myra has been performing in and around the New York area since the early ’80’s. Her first band, The Problem, was a naive pop group that Interview magazine cited as one of the highlights of the New York Noisefest of 1981. Her next band, Never Never, a tough, Crazy Horse-style combo, featured Karen Haglof (of Band of Susans) on guitar.

“In her teen years Myra befriended a crowd of young musicians in Winston-Salem. Chris StameyPeter HolsappleWill RigbyMitch EasterFaye HunterGene HolderTed Lyons, and others were part of a so-called ‘Combo Corner’ of longhairs and other R. J. Reynolds High School misfits [a scene recently celebrated in Yesterday’s Tomorrow (Omnivore Recordings)].

Coyote Records, the landmark NJ label associated with Hoboken’s ground-breaking club Maxwell’s in the 1980s, has released seminal albums by Yo La Tengo, the Feelies, Joe Henry, the Neats, Chris Stamey, and the Trypes, among many others. Their most recent release was 2016’s Now, by Speed the Plough.

Lost and lonesome on

FOUR MILE ROAD

’til I called on Love

eyes painted black;

Said a song

like a prayer

with my heart and

YOU were there

photo by Carol Whaley

GGM Staff

The writers at Guitar Girl Magazine bring a wealth of experience from all corners of the music industry. Our writers are musicians, songwriters, producers, and passionate advocates for women in music, with years of hands-on expertise both on stage and behind the scenes. They are dedicated to amplifying the voices of female guitarists and offering insightful perspectives on gear, technique, and the latest trends in the industry. With a deep love for music and a commitment to empowering the next generation of female artists, the Guitar Girl team is at the forefront of celebrating and inspiring women in music.

GGM Staff
GGM Staff
The writers at Guitar Girl Magazine bring a wealth of experience from all corners of the music industry. Our writers are musicians, songwriters, producers, and passionate advocates for women in music, with years of hands-on expertise both on stage and behind the scenes. They are dedicated to amplifying the voices of female guitarists and offering insightful perspectives on gear, technique, and the latest trends in the industry. With a deep love for music and a commitment to empowering the next generation of female artists, the Guitar Girl team is at the forefront of celebrating and inspiring women in music.
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